TEXTB

Whatweknowofprenataldevelopmentmakesallthisattemptmadebyamothertomoldthecharacterofherunbornchildbystudyingpoetry,art,ormathematicsduringpregnancyseemutterlyimpossible.Howcould

suchextremelycomplexinfluencespassfromthemothertothechild?Thereisnoconnectionbetweentheirnervoussystems.Eventhebloodvesselsofmotherandchilddonotjoindirectly.Anemotionalshocktothemotherwillaffectherchild,becauseitchangestheactivityofherglandsandsothechemistryherblood.Anychemicalchangeinthemother'sbloodwillaffectthechildforbetterorworse.Butwecannotseehowalooking

formathematicsorpoeticgeniuscanbedissolvedinbloodandproduceasimilarlikingorgeniusinthechild.

Inourdiscussionofinstinctswesawthattherewasreasontobelievethatwhateverweinheritmustbeof

someverysimplesortratherthananycomplicatedorverydefinitekindofbehavior.Itiscertainthatnoone

inheritsaknowledgeofmathematics.Itmaybe,however,thatchildreninheritmoreorlessofarathergeneral

abilitythatwemaycallintelligence.Ifveryintelligentchildrenbecomedeeplyinterestedinmathematics,they

willprobablymakeasuccessofthatstudy.

Asformusicalability,itmaybethatwhatisinheritedisanespeciallysensitiveear,apeculiarstructureofthe

handsorthevocalorgansconnectionsbetweennervesandmusclesthatmakeitcomparativelyeasytolearnthe

movementsamusicianmustexecute,andparticularlyvigorousemotions.Ifthesefactorsareallorganized

aroundmusic,thechildmaybecomeamusician.Thesamefactors,inothercircumstancemightbeorganized

aboutsomeothercenterofinterest.Therichemotionalequipmentmightfindexpressioninpoetry.Thecapable

fingersmightdevelopskillinsurgery.Itisnottheknowledgeofmusicthatisinherited,thennoreventheloveof

it,butacertainbodilystructurethatmakesitcomparativelyeasytoacquiremusicalknowledgeandskill.

Whetherthatabilityshallbedirectedtowardmusicorsomeotherundertakingmaybedecidedentirelybyforces

intheenvironmentinwhichachildgrowsup.

6.Whichofthefollowingstatementsisnottrue?

A.Somemotherstrytoinfluencetheirunbornchildrenbystudyingartandothersubjectsduringtheir

pregnancy.

B.Itisutterlyimpossibleforustolearnanythingaboutprenataldevelopment.

C.Thebloodvesselsofmotherandchilddonotjoindirectly.

D.Therearenoconnectionbetweenmother'snervoussystemsandherunbornchild's.

7.Amotherwillaffectherunbornbabyontheconditionthat____.

A.sheisemotionallyshocked

B.shehasagoodknowledgeofinheritance

C.shetakespartinallkindofactivities

D.shestickstostudying

8.Accordingtothepassage,achildmayinherit____.

A.everythingfromhismotherB.aknowledgeofmathematics

C.arathergeneralabilitythatwecallintelligence

D.hermother'smusicalability

9.Ifachildinheritssomethingfromhismother,suchasanespeciallysensitiveear,apeculiarstructureofthe

handsorofthevocalorgans,hewill____.

A.surelybecomemusician

B.mostlybecomeapoet

C.possiblybecomeateacher

D.becomeamusicianontheconditionthatallthesefactorsareorganizedaroundmusic

10.Whichofthefollowingisthebesttitleforthepassage?

A.RoleofInheritance.

B.AnUnbornChild.

C.Functionofinstincts.

D.InheritedTalents.

Underthis____pressuresomeoftherocksevenbecameliquid.

—Haveyoufinishedthework?

—Notyet,butnomatterhowharditis,we'llkeep___untilwemakeit.

RogerRosenblatt’sbookBlackFiction,inattemptingtoapplyliteraryratherthansociopoliticalcriteriatoitssubject,successfullyalterstheapproachtakenbymostpreviousstudies.AsRosenblattnotes,criticismofBlackwritinghasoftenservedasapretextforexpoundingonBlackhistory.AddisonGayle’srecentwork,forexample,judgesthevalueofBlackfictionbyovertlypoliticalstandards,ratingeachworkaccordingtothenotionsofBlackidentitywhichitpropounds.Althoughfictionassuredlyspringsfrompoliticalcircumstances，itsauthorsreacttothosecircumstancesinwaysotherthanideological,andtalkingaboutnovelsandstoriesprimarilyasinstrumentsofideologycircumventsmuchofthefictionalenterprise.Rosenblatt’sliteraryanalysisdisclosesaffinitiesandconnectionsamongworksofBlackfictionwhichsolelypoliticalstudieshaveoverlookedorignored.WritingacceptablecriticismofBlackfiction,however,presupposesgivingsatisfactoryanswerstoanumberofquestions.Firstofall,isthereasufficientreason,otherthanthefacialidentityoftheauthors,togrouptogetherworksbyBlackauthorsSecond,howdoesBlackfictionmakeitselfdistinctfromothermodernfictionwithwhichitislargelycontemporaneousRosenblattshowsthatBlackfictionconstitutesadistinctbodyofwritingthathasanidentifiable，coherentliterarytradition.LookingatnovelswrittenbyBlackoverthelasteightyyears,hediscoversrecurringconcernsanddesignsindependentofchronology.Thesestructuresarethematic,andtheyspring,notsurprisingly,fromthecentralfactthattheBlackcharactersinthesenovelsexistinapredominantlywhiteculture,whethertheytrytoconformtothatcultureorrebelagainstit.BlackFictiondoesleavesomeaestheticquestionsopen.Rosenblatt’sthematicanalysispermitsconsiderableobjectivity;heevenexplicitlystatesthatitisnothisintentiontojudgethemeritofthevariousworksDyethisreluctanceseemsmisplaced,especiallysinceanattempttoappraisemighthaveledtointerestingresults.Forinstance,someofthenovelsappeartobestructurallydiffuse.Isthisadefect,oraretheauthorsworkingoutof,ortryingtoforge,adifferentkindofaestheticInaddition,thestyleofsomeBlacknovels,likeJeanToomey’sCane,vergesonexpressionismorsurrealism;doesthistechniqueprovideacounterpointtotheprevalentthemethatportraysthefateagainstwhichBlackheroesarepitted,athemeusuallyconveyedbymorenaturalisticmodesofexpressionInspiteofsuchomissions,whatRosenblattdoesincludeinhisdiscussionmakesforanastuteandworthwhilestudy.BlackFictionsurveysawidevarietyofnovels,bringingtoourattentionintheprocesssomefascinatingandlittle-knownworkslikeJamesWeldonJohnson’sAutobiographyofanEx-ColoredMan.Itsargumentistightlyconstructed,anditsforthright,lucidstyleexemplifieslevelheadedandpenetratingcriticism.

1.Theauthorofthetextisprimarilyconcernedwith__________.

[A]Evaluatingthesoundnessofaworkofcriticism.[B]Comparingvariouscriticalapproachestoasubject.

[C]Discussingthelimitationsofaparticularkindofcriticism.

[D]Summarizingthemajorpointsmadeinaworkofcriticism.

2.TheauthorofthetextbelievesthatBlackFictionwouldhavebeenimprovedhadRosenblatt__________.

[A]EvaluatedmorecarefullytheideologicalandhistoricalaspectsofBlackfiction.

[B]AttemptedtobemoreobjectiveinhisapproachtonovelsandstoriesbyBlackauthors.

[C]ExploreingreaterdetailtherecurrentthematicconcernsofBlackfictionthroughoutitshistory.

[D]Assessedtherelativeliterarymeritofthenovelsheanalyzesthematically.

3.author’sdiscussionofBlackFictioncanbebestdescribedas__________.

[A]Pedanticandcontentious.

[B]Criticalbutadmiring.

[C]Ironicanddeprecating.

[D]Argumentativebutunfocused.authorofthetextemploysallofthefollowinginthediscussionofRosenblatt’s

4.bookEXCEPT：__________.

[A]Rhetoricalquestions.

[B]Specificexamples.

[C]Comparisonandcontrast.

[D]Definitionofterms.

5.TheauthorofthetextreferstoJamesWeldonJohnson’sAutobiographyofanEx-ColoredManmostprobablyinorderto__________.

[A]pointoutaffinitiesbetweenRosenblatt’smethodofthematicanalysisandearliercriticism.

[B]Clarifythepointaboutexpressionisticstylemadeearlierinthepassage.

[C]QualifytheassessmentofRosenblatt’sbookmadeinthefirstparagraphofthepassage.

[D]giveaspecificexampleofoneoftheaccomplishmentsofRosenblatt’swork.

WhichofthefollowingitalicizedwordsDOESNOTcarrythemetaphoricalmeaning?