当前位置:考试网  > 试卷库  > 学历类  > 自考  > 自考专业(汉语言文学)  > 文学概论  >  结合自己的阅读理解, 谈谈文学形象的总体特征有哪些。
试题预览

结合自己的阅读理解, 谈谈文学形象的总体特征有哪些。

查看答案
收藏
纠错
正确答案:

文学形象的总体特征表现为:

(1)文学形象的具体可感性

文学作为一种审美意识形态,与其它意识形态不同,最明显的特征是它以具体可感的艺术形象为手段来实现其一切目的。

(2)文学形象的艺术概括性

文学形象的概括性的表现是十分丰富的,多种多样的。首先文学形象往往经过个别概括一般,经过偶然表现必然。另外,文学形象的概括性还表现为能传达难以言说的事物和境界。总之,由于意蕴的丰富性,也形成了文学形象概括方式的多样性。由于文学形象多样的概括功能,才使文学形象具有无限的表现力,成为文学艺术表现的中

心环节。

(3)文学形象的审美理想性

所谓审美理想,这应当是指人们在自己民族的审美文化氛围里形成的、由个人的审美体验和人格境界所肯定的关于美的观念尺度和范型模式。它一方面具有个人特色和民族犄色,同时又具有全人类性质。

(4)文学形象的审美属性

由于文学形象与审美理想的密切关系,这就决定了文学形象的审美属性。文学形象必须是灌注了作家审美感情的,既揭示生活意蕴,又具有审美价值的形象。因此是否具有审美属性,便成了文学形象与非文学形象的分水岭。

答案解析:

暂无解析

你可能感兴趣的试题

文学传播的阶段有哪些?

神话原型批评的集大成者是()

一个时代文学繁荣的重要标志是()

“召唤结构”的提出者是()

文本时间长度小于故事时间长度的粗略叙述,被称为()

热门试题 更多>
试题分类: 写作
练习次数:0次
试题分类: 理论与实务
练习次数:0次
Selling Digital Music without Copy-protection Makes Sense A. It was uncharacteristically low-key for the industry’s greatest showman. But the essay published this week by Steve Jobs, the boss of Apple, on his firm’s website under the unassuming title “Thoughts on Music” has nonetheless provoked a vigorous debate about the future of digital music, which Apple dominates with its iPod music-player and iTunes music-store. At issue is “digital rights management” (DRM)—the technology guarding downloaded music against theft. Since there is no common standard for DRM, it also has the side-effect that songs purchased for one type of music-player may not work on another. Apple’s DRM system, called FairPlay, is the most widespread. So it came as a surprise when Mr. Jobs called for DRM for digital music to be abolished. B. This is a change of tack for Apple. It has come under fire from European regulators who claim that its refusal to license FairPlay to other firms has “locked in” customers. Since music from the iTunes store cannot be played on non-iPod music-players (at least not without a lot of fiddling), any iTunes buyer will be deterred from switching to a device made by a rival firm, such as Sony or Microsoft. When French lawmakers drafted a bill last year compelling Apple to open up FairPlay to rivals, the company warned of “state-sponsored piracy”. Only DRM, it implied, could keep the pirates at bay. C. This week Mr. Jobs gave another explanation for his former defence of DRM: the record companies made him do it. They would make their music available to the iTunes store only if Apple agreed to protect it using DRM. They can still withdraw their catalogues if the DRM system is compromised. Apple cannot license FairPlay to others, says Mr Jobs, because it would depend on them to produce security fixes promptly. All DRM does is restrict consumer choice and provide a barrier to entry, says Mr Jobs; without it there would be far more stores and players, and far more innovation. So, he suggests, why not do away with DRM and sell music unprotected? “This is clearly the best alternative for consumers,” he declares, “and Apple would embrace it in a heartbeat.” D. Why the sudden change of heart? Mr Jobs seems chiefly concerned with getting Europe’s regulators off his back. Rather than complaining to Apple about its use of DRM, he suggests, “those unhappy with the current situation should redirect their energies towards persuading the music companies to sell their music DRM-free.” Two and a half of the four big record companies, he helpfully points out, are European-owned. Mr Jobs also hopes to paint himself as a consumer champion. Apple resents accusations that it has become the Microsoft of digital music. E. Apple can afford to embrace open competition in music players and online stores. Consumers would gravitate to the best player and the best store, and at the moment that still means Apple’s. Mr Jobs is evidently unfazed by rivals to the iPod. Since only 3% of the music in a typical iTunes library is protected, most of it can already be used on other players today, he notes. (And even the protected tracks can be burned onto a CD and then re-ripped.) So Apple’s dominance evidently depends far more on branding and ease of use than DRM-related “lock in”. F. The music giants are trying DRM-free downloads. Lots of smaller labels already sell music that way. Having seen which way the wind is blowing, Mr Jobs now wants to be seen not as DRM’s defender, but as a consumer champion who helped in its downfall. Wouldn’t it lead to a surge in piracy? No, because most music is still sold unprotected on CDs, people wishing to steal music already can do so. Indeed, scrapping DRM would probably increase online-music sales by reducing confusion and incompatibility. With the leading online store, Apple would benefit most. Mr Jobs’s argument, in short, is transparently self-serving. It also happens to be right. Notes to Reading Passage 1 1. low-key: 抑制的,受约束的,屈服的 2. showman: 开展览会的人, 出风头的人物 3. unassuming: 谦逊的, 不夸耀的, 不装腔作势的 4. iPod: (苹果公司出产的)音乐播放器 5. iTunes store: (苹果公司出产的)在线音乐商店 6. get off person’s back: 不再找某人的麻烦,摆脱某人的纠缠 7. gravitate: 受吸引,倾向于 8. unfazed: 不再担忧,不被打扰 Questions 1-7 Do the following statemets reflect the claims of the writer in Reading Passage 1? Write your answer in Boxes 1-7 on your answer sheet. TRUE if the statement reflets the claims of the writer FALSE if the statement contradicts the claims of the writer NOT GIVEN if it is impossbile to say what the writer thinks about this 1. Apple enjoys a controlling position in digital music market with its iPod music-player and iTunes music-store. 2. DRM is a government decree issued with a purpose to protect downloaded music from theft by consumers. 3. Lack of standardization in DRM makes songs bought for one kind of music player may not function on another. 4. Apple has been criticized by European regulators since it has refused to grant a license FairPlay to other firms. 5. All music can be easily played on non-iPod music devices from Sony or Microsoft without too much fiddling. 6. Apple depends far more on DRM rather than branding for its dominance of the digital music devices. 7. If DRM was cancelled, Sony would certainly dominate the international digital music market. Questions 8-10 Choose the appropriate letters A-D and write them in boxes 8-10 on your answe sheet. 8. Which of the following statements about Mr. Jobs’ idea of DRM is NOT TRUE? A. DRM places restrictions on consumer’ choice of digital music products available. B. DRM comples iTunes buyers to switch to a device made by Sony or Microsoft. C. DRM constitutes a barrier for potential consumers to enter digital music markets. D. DRM hinders development of more stores and players and technical innovation. 9. The word “unfazed” in line 3 of paragraph E, means___________. A. refused B. welcomed C. not bothered D. not well received 10. Which of the following statements is TRUE if DRM was scapped? A. Sony would gain the most profit. B. More customers would be “locked in”. C. A sudden increase in piracy would occur. D. Online-music sales would probably decrease. Questions 11-14 Complete the notes below. Choose NO MORE THAN THREE WORDS from Reading Passage 1 for each answer. Write your answers in boxes 11-14 on your answer sheet. Mr. Steve Jobs, the boss of Apple, explains the reason why he used to defend DRM, saying that the company was forced to do so: the record companies would make their music accessible to …11...only if they agreed to protect it using DRM; they can still…12…if the DRM system is compromised. He also provides the reason why Apple did not license FairPlay to others: the company relies on them to …13….But now he changes his mind with a possible expectation that Europe’s regulators would not trouble him any more in the future. He proposes that those who are unsatisfactory with the current situation in digital music market should …14… towards persuade the music companies to sell their music DRM-free.
试题分类: 阅读
练习次数:0次
试题分类: 初级(写作)
练习次数:0次
扫一扫,手机做题